beabadoobee: Fake It Flowers | Review – Pitchfork

Bea Kristi writes songs for the movies of her dreams. Though her music gained traction on the comparatively small screens of TikTok and YouTube, the 20-year-old guitarist and singer fantasizes through a cinematic lens: Tom Hanks is her hero; the Juno soundtrack introduced her to the folksy side of indie rock. The Hollywood sensibility carries through to her music, which she releases as beabadoobee, a moniker invented as an Instagram handle. And rather than discuss musical or lyrical themes, she describes her work in visual terms: The songs on her full-length debut, Fake It Flowers, have self-described “end of ’90s movie vibes” and remind her of a “2000s chick flick.” In case her floral motifs and rose-hued music videos don’t state it plainly enough, Kristi steps in to shade the finer details of her Nora Ephron-esque vision: “The girl finally gets with the boy at the end.”

As a troublemaking teenager in London, Kristi found solace in a guitar her father gave her, teaching herself to play from YouTube videos and channeling rom-com inspirations and her parents’ love for ’90s alt-rock into grainy recordings. The first song she wrote, “Coffee,” was loosely based off the first song she learned on guitar, Sixpence None the Richer’s “Kiss Me.” In a fittingly cinematic escalation, “Coffee” found minor success on YouTube before the Canadian rapper Powfu interpolated it into a lo-fi hip-hop track. His remix exploded on TikTok, eventually landing Kristi’s gentle strumming in a Dunkin’ commercial. With just two
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